The beef between Kendrick Lamar and Drake has been a hot topic in the hip-hop community for years, with fans continually dissecting the diss tracks released by both artists. One crucial aspect of this battle that often goes overlooked is the actual recording process behind these songs. Luckily, Kendrick Lamar’s mastering engineer, Nicolas de Parcel, shed some light on the intense but exhilarating moments in the studio.
According to de Parcel, the turnaround time for Kendrick’s tracks was almost non-existent, with the pressure of mastering the diss tracks being incredibly high. He described receiving a call to stay on standby, only to be tasked with mastering a song within minutes before it was set to be released. The intensity of the situation was palpable, with de Parcel admitting that he would turn in the masters and see the track drop online just minutes later. Despite the high-pressure environment, de Parcel referred to the experience as “amazing,” showcasing the thrill of being involved in a high-stakes musical showdown.
The three diss tracks that de Parcel engineered for Kendrick Lamar – “Euphoria,” “Meet The Grahams,” and “Not Like Us” – were released on streaming services, garnering attention from fans and critics alike. The intricate mastering process behind these tracks added another layer of complexity to the already intense feud between Kendrick and Drake, solidifying their status as two of hip-hop’s biggest heavyweights.
In conclusion, the recording process behind Kendrick Lamar’s diss tracks against Drake was a chaotic yet exhilarating experience for those involved. Nicolas de Parcel’s insights into the high-pressure mastering sessions shed light on the behind-the-scenes intensity of the beef, showcasing the meticulous attention to detail that goes into creating impactful diss tracks. As fans continue to dissect and debate the nuances of the Kendrick-Drake feud, it’s essential to recognize the dedication and skill of the engineers and producers who bring these musical battles to life.
