EXCLUSIVE: Lady Tigra & Bunny D Of L’Trimm Recount What Led To Major Label Split

**The Evolution of L’Trimm: From Atlantic Records to Artistic Independence**

L’Trimm, the Miami Bass duo comprising Lady Tigra and Bunny D, epitomizes the transformative nature of the music industry, particularly in the realm of female-led hip-hop. Emerging from the vibrant Miami music scene in the late 1980s, Tigra and Bunny signed with Atlantic Records as teenagers, an association that would ultimately shape their careers and artistic identities. Their debut album, *Grab It!* (1988), featured the hit single “Cars With The Boom,” which achieved notable commercial success, peaking at No. 54 on the Billboard Hot 100. However, despite this early success, their journey was not without challenges, leading to a consequential split with their major label.



As L’Trimm released subsequent albums—*Drop That Bottom* (1989) and *Groovy* (1991)—Tigra and Bunny found themselves increasingly disenfranchised with Atlantic Records’ creative direction. The pressures of conformity loomed large over their music, stifling their inclination to explore and express their authentic selves. This creative disconnect is a common narrative within the music industry, where artists often face the dilemma of sacrificing their unique vision for broader commercial appeal. For L’Trimm, the inability to maintain their artistic integrity culminated in the difficult decision to part ways with the label.

The decision to leave Atlantic Records was pivotal for Tigra and Bunny, allowing them the freedom to pursue solo endeavors and cultivate their individual artistic paths. Importantly, this split did not mark the end of their partnership; instead, they sustained a close friendship that has weathered the tests of time. Their relationship exemplifies the synergy often found in creative partnerships, highlighting the idea that collaboration can transcend contractual obligations.

In recent years, L’Trimm has demonstrated a renewed vitality, reuniting for special performances and celebrating a legacy that has influenced subsequent generations of artists. Their appearance at 808 Day in Los Angeles, alongside prominent figures in hip-hop, was a testament to their enduring presence and relevance within the genre. Moreover, Tigra’s participation in social gatherings, such as celebrating MC JB’s 60th birthday, further illustrates their continued connection to the culture and community that nurtured them.



The story of L’Trimm serves as a reminder of the complexities artists face within the major label system. Their journey reflects a broader narrative of creative autonomy in an industry often driven by commercial imperatives. By choosing to prioritize their artistic vision over the pressures of mainstream success, Lady Tigra and Bunny D have carved out a space for themselves—one that honors their roots while allowing for evolution and growth.

In conclusion, L’Trimm’s path from a major label to artistic independence underscores the importance of authenticity in creative expression. As they continue to redefine their legacy, Tigra and Bunny exemplify the potential for artists to reclaim their narratives, fostering a deeper connection with both their craft and their audience. Their journey exemplifies resilience, friendship, and the enduring power of music to transcend the confines of industry expectations.

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