On October 24, 1995, the rap group Onyx released their second full-length album, All We Got Iz Us, marking a significant moment in hip-hop history. Recorded under Rush Associated Labels and JMJ Records, the album not only showcased the group’s distinctive style but also underscored the dynamic nature of the genre during the mid-1990s.
The genesis of All We Got Iz Us is intertwined with the commercial appeal and industry maneuvering characteristic of that era. Following the success of their debut album, Bacdafucup, Onyx was approached by Lyor Cohen of Def Jam Records with an enticing offer of $1 million to create their second project. This proposal was a testament to the group’s burgeoning popularity and the confidence that labels had in their potential. Fredro Starr’s acceptance of Cohen’s offer laid the foundation for an intense recording process, as the group, consisting of Sticky Fingaz, Sonee Seeza, and Fredro, produced 25 tracks from which only 15 were selected, guided by Jam Master Jay’s expert committee.
The album featured tracks such as “Live Niguz” and “Last Dayz,” both of which achieved notable chart success, peaking at 89 on the Billboard Hot 100 and 17 on the Hot Rap Singles, respectively. This achievement further solidified Onyx’s position within the competitive landscape of hip-hop. The visceral energy of their music, characterized by aggressive beats and dynamic delivery, resonated with fans and critics alike, even amidst varying reviews.
All We Got Iz Us not only enjoyed commercial success but also intersected with popular culture, finding its way into iconic films such as Bad Boys and 8 Mile. These appearances attest to the album’s cultural relevance and highlight the symbiotic relationship between hip-hop and cinema during this period. The incorporation of Onyx’s tracks in major motion pictures further validated their artistry and expanded their audience reach, emphasizing hip-hop’s growing status as a cultural force.
In addition to their musical contributions, Onyx established their label, Armee Records, signaling their intention to influence the industry beyond their performances. This move allowed them to promote emerging artists like All City and Panama P.I., further enriching the hip-hop tapestry of the time. Such initiatives not only showcased Onyx’s entrepreneurial spirit but also underscored the importance of artist-led movements in propelling the genre forward.
In retrospect, the release of All We Got Iz Us stands as a pivotal moment within hip-hop history. It encapsulated the raw, unfiltered expression that defined the era while contributing to the genre’s evolution. The album’s combination of lyrical bravado, innovative production, and cultural impact has ensured its place in the annals of hip-hop, serving not only as a reminder of Onyx’s legacy but also as a reflection of the genre’s ability to adapt and thrive amidst changing musical landscapes.
As we commemorate this landmark release 29 years later, we extend our gratitude to Sticky Fingaz, Sonee Seeza, Fredro Starr, All City, and the late Jam Master Jay for their influential roles in shaping All We Got Iz Us. Their dedication and creativity continue to inspire future generations of artists and fans, reinforcing the notion that hip-hop is not just music; it is a powerful cultural movement.
