In a troubling turn of events, Top Dawg Entertainment (TDE), the powerhouse label behind artists like SZA and Ab-Soul, faces severe accusations in an amended lawsuit filed by two women. The suit, which initially emerged on January 31, alleges that TDE executives subjected them to sexual harassment and assault. However, the situation has escalated dramatically as the plaintiffs claim TDE is now guilty of doxing them—revealing their identities and leaving them vulnerable to horrific threats.
The lawsuit, now including new allegations, identifies the women as Linda Luna and Ayah Altayri, who were previously unnamed. Following TDE’s decision to publicly disclose their names in a press release, the plaintiffs reported receiving a barrage of violent and harassing messages, including threats of physical harm and sexual violence. The emotional toll has been significant, with Luna facing not only harassment but also the loss of professional clients due to the fallout from her name being revealed.
The original lawsuit was a response to alleged misconduct from TDE employees, including unwanted sexual advances and a culture of silence surrounding such behavior. Among those named are Brandon Tiffith, who is accused of sexual battery, and Anthony Tiffith Jr., the founder’s son, who allegedly created a pattern of harassment.
The plaintiffs’ attorney, Shounak S. Dharap, emphasized the broader implications of the case, stating it highlights systemic abuse within the entertainment industry. The lawsuit is not just about seeking justice for the individuals involved but also aims to shed light on a pervasive culture of exploitation.
In contrast, TDE’s legal counsel has vehemently denied the allegations, branding the lawsuit as an opportunistic attack. They claim that the accusations are fabricated and that the plaintiffs were never employees of the company.
As this case unfolds, it raises critical questions about accountability in the music industry and the treatment of individuals who dare to speak out against powerful entities. The outcome could have significant ramifications for TDE and the broader landscape of entertainment.
