In a revealing conversation on the latest episode of his show “Talk With Flee,” Cam’ron opened up about the traumatic 2005 shooting incident that left him injured and connected it to his role in the iconic film “Paid In Full.” The rapper believes that a particular line he was made to say in the movie played a significant role in the violent encounter he experienced years later.
On October 23, 2005, Cam’ron was shot in both arms during a failed carjacking in Washington D.C. While waiting at a red light, he was targeted and, despite his injuries, managed to drive himself to Howard University Hospital, where he was treated and released. At the time, he was reportedly flaunting $200,000 worth of diamonds, which may have made him a target.
During the podcast, Cam’ron recounted a specific line from the film, which he was compelled to deliver: “I’ll give you some n-ggas from D.C. but not no Harlem n-ggas.” He expressed his discomfort with the line, noting that the sentiment might provoke hostility from D.C. residents towards New Yorkers. “N-ggas from D.C. already don’t like New York n-ggas,” he said, adding that despite his objections, he ultimately complied with the request from Dame Dash, the film’s producer.
The convo happens at the 38:30 mark below.
Reflecting on the consequences, Cam’ron remarked, “He told me I had to do it, so I did it – and four years later, n-ggas shot me in D.C.” His nonchalant shrug underscored the gravity of the situation and how it has lingered in his memory.
Dame Dash has previously discussed the impact of the shooting, acknowledging that Cam’ron faced significant challenges as a result of his role in the film. “Cam went through a lot, you know? He got shot over that role in Washington,” he said during a 2022 episode of SHOWTIME Basketball’s “All The Smoke.” Dash expressed regret that he hadn’t fully realized the potential dangers associated with the film and how it might affect Cam’ron’s life.
The conversation brings to light the often-overlooked consequences that artistic expression can have on individuals in real life. Cam’ron’s experience highlights the complexities of navigating fame, especially when intertwined with street culture and the repercussions that can arise from it.
As Cam’ron continues to reflect on his past, the memories of that tumultuous period remain vivid. The discussions surrounding “Paid In Full” and its legacy exemplify how art and life can intersect in unpredictable and sometimes dangerous ways. With Dame Dash still working on a sequel to the film, it remains to be seen how these discussions will influence future projects and the narratives they convey.
