In a recent interview with media personality Ari Melber on MSNBC, Pusha T and No Malice of the Clipse shared their favorite verses from each other’s highly acclaimed return album, “Let God Sort Em Out.” The album debuted at No. 4 on the Billboard 200, selling 113,000 copies and surpassing Lil Wayne’s “The Carter 6,” solidifying its status as a strong contender for album of the year.
During the lightning round segment of the interview, Pusha T expressed his admiration for No Malice’s verse on the track “So Far Ahead,” stating, “My favorite verse on this album is Malice’s verse on ‘So Far Ahead’.” In turn, No Malice praised Pusha T’s performance on “P.O.V.” with the comment, “Pusha on ‘P.O.V.,’ to much crowd in there.”
Malice’s verse in “So Far Ahead” reflects deep introspection: “How could I just leave? Whistleblowers left me no choice / Ain’t no referees up in Heaven.” Meanwhile, Pusha T’s lines in “P.O.V.” display his trademark sharpness: “All I see is 60-day stars and 20-year thousandaires / Not enough shoppin’, whole lot of browsingaires / My reinvention, I know you thinkin’ how’s it fair.”
“Let God Sort Em Out” marks a powerful resurgence for the Virginia rap duo after a 15-year hiatus. The project blends street memoir with spiritual reflection, showcasing the duo’s lyrical maturity as they navigate the complexities of “coke rap” through a lens of personal growth and experience.
Critically acclaimed, the album features production from industry heavyweights Pharrell Williams and Kanye West, delivering a sound that is both stripped down and cinematic, enhanced by gospel elements and haunting textures. Tracks like “The Birds Don’t Sing” and “Psalm of the Pyrex” highlight themes of consequence, faith, and legacy, revealing the duo’s lyrical evolution.
Critics have celebrated “Let God Sort Em Out” as both a return to form and a leap forward, emphasizing that this reunion is not merely nostalgic but a statement of mastery. With a refined vision and compelling narratives, Clipse has solidified their place in contemporary hip-hop.
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